Citas bibligráficas
Deluca, G., (2021). Los estudios del cuerpo humano por Leonardo da Vinci para su obra artística [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/658370
Deluca, G., Los estudios del cuerpo humano por Leonardo da Vinci para su obra artística [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/658370
@misc{sunedu/3059501,
title = "Los estudios del cuerpo humano por Leonardo da Vinci para su obra artística",
author = "Deluca Sánchez , Giulia",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
After the dark ages of the Middle Ages, the Renaissance arose in Italy in the 1400s as a quest for a return to the culture of ancient Rome and Greece and a greater concern for the human being. This cultural revival was also reflected in art. According to the author Argan (2001), Renaissance artists returned to painting man and nature, which during the Middle Ages had ceased to be the protagonists of the works. Likewise, Riutort (2010), states that painters and sculptors began to study the human body, among them Leonardo da Vinci. He is considered by many authors as the main reference of artistic anatomy, since his discoveries are still important subjects of study in different fields of art and medicine. Among the studies carried out by Leonardo da Vinci, the proportionality of the human body, muscles, movement of joints and facial expressiveness stand out. Through the investigation of these studies, a collection was made in which the forms, silhouettes and textures inspired by the works of Leonardo da Vinci stand out.
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