Bibliographic citations
Mojorovich, J., (2023). El Vínculo Docente - Estudiante en el aprendizaje de la Educación Artística con Enfoque Waldorf en la modalidad a distancia en el nivel secundaria, de una Institución Educativa Privada de Lima - Perú [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/26484
Mojorovich, J., El Vínculo Docente - Estudiante en el aprendizaje de la Educación Artística con Enfoque Waldorf en la modalidad a distancia en el nivel secundaria, de una Institución Educativa Privada de Lima - Perú []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/26484
@misc{renati/539194,
title = "El Vínculo Docente - Estudiante en el aprendizaje de la Educación Artística con Enfoque Waldorf en la modalidad a distancia en el nivel secundaria, de una Institución Educativa Privada de Lima - Perú",
author = "Mojorovich Oporto, Johanna Elizabeth",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
In 2020, the teacher-student bond is framed in a context of health emergency owed to the COVID-19 pandemic. Face-to-face classes change to distance learning. This research seeks to observe how this bond develops from an emotional and cognitive dimension related to the learning of Artistic Education with a Waldorf Approach, considering that the use of ICT is opposed to the Waldorf identity. The general objective of this work is to analyze the characteristics of the teacher-student bond in the distance modality for the learning of Artistic Education with a Waldorf approach at the secondary level, in an IEP in Lima - Peru. Its specific objectives are to describe the characteristics that the emotional dimension of said bond presents and to identify the characteristics that its cognitive dimension presents as well. The approach is qualitative, descriptive level and employs a case study method. The information is collected through semi-structured interviews applied to tutor teachers and secondary students at a Waldorf school in Lima; as well as a non-participant observation applied to the art coordinator. The results indicate a close, reliable, secure, empathetic and motivating emotional bond. And a cognitive bond that accompanies the learning rhythms individually and in groups, giving them constant feedback. It is recommended to continue taking care of the characteristics that give identity to this approach and it is suggested to make improvements to be prepared, if in the future the use of this modality is considered again.
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