Citas bibligráficas
Pezo, E., (2023). El fotolibro autobiográfico como pieza, proceso y medio expresivo para la (re)construcción de la memoria individual: un fenómeno comunicacional y narrativo a través de la imagen fotográfica. Análisis del proceso creativo de los fotolibros Rules for fighting de Paola Jiménez (2022), Mato Grosso de Raquel Bravo (2021) e Internal Notebook de Miki Hasegawa (2017) [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/25727
Pezo, E., El fotolibro autobiográfico como pieza, proceso y medio expresivo para la (re)construcción de la memoria individual: un fenómeno comunicacional y narrativo a través de la imagen fotográfica. Análisis del proceso creativo de los fotolibros Rules for fighting de Paola Jiménez (2022), Mato Grosso de Raquel Bravo (2021) e Internal Notebook de Miki Hasegawa (2017) []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/25727
@misc{renati/527646,
title = "El fotolibro autobiográfico como pieza, proceso y medio expresivo para la (re)construcción de la memoria individual: un fenómeno comunicacional y narrativo a través de la imagen fotográfica. Análisis del proceso creativo de los fotolibros Rules for fighting de Paola Jiménez (2022), Mato Grosso de Raquel Bravo (2021) e Internal Notebook de Miki Hasegawa (2017)",
author = "Pezo Boluarte, Estrella Alexandra",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
This study analyzes the autobiographical photobook as a piece, process and expressive medium for the (re)construction of individual memory. From the deepening of the publications Rules for fighting (2022) by Paola Jiménez, Mato Grosso (2021) by Raquel Bravo, and Internal Notebook (2017) by Miki Hasegawa, it is found that, thanks to an artistic process in which semantic, creative and expressive qualities are applied, the autobiographical photobook emerges as a communication phenomenon from which it is possible to strengthen individual identity and history as conceptual and sensitive narratives. This consolidation occurs given that the photobook is recognized as a support and medium from which photography is reconceived as writing in itself, in the same way that memory is resignified from narrative to reading experience. Finally, an art-based qualitative research methodology is used, starting from a phenomenological framework. This is complemented by in-depth interviews with each author, with the aim of also intertwining their personal findings after going through their own creative processes. Thus, it is concluded that autobiographical photobooks offer a creative process of an introspective nature, from which it is not only possible to relocate the body of photographic work itself, but also to reuse personal archives, such as family albums and intimate diaries. In this way, the autobiographical photobook is built on the basis of a polysemic language, of diverse visualities and materialities. Therefore, it is possible from it to reimagine individual narratives to narrate personal memory again, since it collects to defragment and reunite memories in new life stories.
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