Citas bibligráficas
Baca, D., (2013). El concepto de cine de autor en la obra fílmica de Josué Méndez y Omar Forero, en el contexto generacional de directores peruanos entre el 2004 y el 2012 [Tesis, Universidad Privada del Norte]. https://hdl.handle.net/11537/6240
Baca, D., El concepto de cine de autor en la obra fílmica de Josué Méndez y Omar Forero, en el contexto generacional de directores peruanos entre el 2004 y el 2012 [Tesis]. PE: Universidad Privada del Norte; 2013. https://hdl.handle.net/11537/6240
@misc{renati/523975,
title = "El concepto de cine de autor en la obra fílmica de Josué Méndez y Omar Forero, en el contexto generacional de directores peruanos entre el 2004 y el 2012",
author = "Baca Cáceres, Diego Alonso",
publisher = "Universidad Privada del Norte",
year = "2013"
}
ABSTRACT The present research studies the Josué Méndez and Omar Forero’s video footage, regarding the principles that make up the concept of arthouse cinema in the context of generational Peruvian directors between 2004 and 2012. As a starting point, it was identified and synthesized the principles that make, globally and indiscriminately, the concept of arthouse cinema from Alexandre Astruc, Andre Bazin, Andrew Sarris and Peter Wollen approaches. Subsequently it was described and explained the theory of generations as Karl Mannheim and José Ortega y Gasset approaches. Also, it was identified a generational context of Peruvian film directors whose work was related to the concept of arthouse cinema. From this group, it was taken Omar Josué Méndez Forero as a study sample. Finally , it was determined that Josué Méndez and Omar Forero video footage, assumes postulates that make the concept of arthouse cinema and also generational similarities exist that have influenced in the style and aesthetics of both filmmakers.
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