Citas bibligráficas
Ocaña, S., Vidal, A. (2022). Análisis de la ética profesional del rubro audiovisual en el uso de la imagen de la mujer como provocación en la plataforma digital YouTube. Casos: making of de los calendarios Chica Lark 2017, 2018 y 2019 [Tesis, Universidad Privada del Norte]. https://hdl.handle.net/11537/35626
Ocaña, S., Vidal, A. Análisis de la ética profesional del rubro audiovisual en el uso de la imagen de la mujer como provocación en la plataforma digital YouTube. Casos: making of de los calendarios Chica Lark 2017, 2018 y 2019 [Tesis]. PE: Universidad Privada del Norte; 2022. https://hdl.handle.net/11537/35626
@misc{renati/514447,
title = "Análisis de la ética profesional del rubro audiovisual en el uso de la imagen de la mujer como provocación en la plataforma digital YouTube. Casos: making of de los calendarios Chica Lark 2017, 2018 y 2019",
author = "Vidal Fabian, Angelica Jenyfer",
publisher = "Universidad Privada del Norte",
year = "2022"
}
The objective of this investigation was to analyze the professional ethics of the audiovisual field in the use of the image of women on the digital paltform Youtube, cases making of the “Chica Lark” 2017, 2018 and 2019 calendars. The study had a qualitative approach where the techniques of in-depth interviews and observation were applied with its instrument the table of contents. We conducted interviews with 4 specialists according to the specialties of each one; audiovisual, professional ethics, marketing and psychological field. In the observation technique we analyze the 3 making of where we propose the audiovisual analysis, contextual analysis and the time of the fragments of each video. At the end of the study it is concluded that there is a lack of professional ethics in the audiovisual field in the making of. These present the explicit use of the female body, since neither the product nor the company's brand is displayed. The only objective is to attract attention and generate economic profits by suggesting planes and angles with another intention. In addition, in the audiovisual sector there is no inspection or organization that can regulate visual content because there is greater freedom in the process of creating audiovisual products.
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