Bibliographic citations
Alvarez, D., (2020). Representación del hedonismo en videos musicales de la década de los 90s. Un análisis al contexto sociocultural y su impacto en la videografía de la banda peruana “NOSEQUIEN Y LOS NOSECUANTOS” [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/657500
Alvarez, D., Representación del hedonismo en videos musicales de la década de los 90s. Un análisis al contexto sociocultural y su impacto en la videografía de la banda peruana “NOSEQUIEN Y LOS NOSECUANTOS” [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2020. http://hdl.handle.net/10757/657500
@misc{renati/397209,
title = "Representación del hedonismo en videos musicales de la década de los 90s. Un análisis al contexto sociocultural y su impacto en la videografía de la banda peruana “NOSEQUIEN Y LOS NOSECUANTOS”",
author = "Alvarez Casas, Dajhana",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2020"
}
During the 1990s, Peru was in an unstable political situation due to previous internal conflicts and changes that occurred in the world. Population, then, adopts a pragmatic attitude in search of national reconstruction; attitude that can be seen reflected in the artistic production of the time. In this context, this research work seeks to analyze how hedonism is represented in the music videos of the Peruvian band “Nosequien y los Nosecuantos” during the 90s. For its development, at first; the video clip role in the communication process will be explained. Subsequently, hedonism will be defined as a moral doctrine. And finally, the sociocultural context of the 90s in Peru will be described. This research article will be based on an interpretive worldview and will be done with a qualitative approach. Likewise, the methodological technique that will be used to obtain data will be that of content analysis.
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