Citas bibligráficas
Guillén, M., (2020). Centro de Investigación de Restauración y Conservación del Patrimonio Material de la Ciudad de Ayacucho [Tesis, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/655276
Guillén, M., Centro de Investigación de Restauración y Conservación del Patrimonio Material de la Ciudad de Ayacucho [Tesis]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2020. http://hdl.handle.net/10757/655276
@misc{renati/394522,
title = "Centro de Investigación de Restauración y Conservación del Patrimonio Material de la Ciudad de Ayacucho",
author = "Guillén Zambrano, María Alejandra",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2020"
}
The historic center of Ayacucho presents a cultural axis (Av. 9 de Julio – Av. 28 de Julio - Alameda Valdelirios), having as its limit the district of Carmen Alto, the location of the project that functions as a final finish of what is the CHA. This area is currently a focus of vulnerability, it set out to create pockets of collective space intervention and integration that allow an environment that connects that integrates to its urban and natural edges of the place, creating a safe environment and an area Reactivated. A research center is proposed in techniques of restoration of furniture heritage and popular art, since the environment responds to this use, being within the historic center, in a neighborhood with a high cultural index and in turn a purely artisanal neighborhood. In order that the ancestral artisanal techniques that are now considered Ayacucho’s material heritage are investigated and tested for better management of the local heritage, starting from an ancestral cosmogonic knowledge of the artisans and reaching a technical and researched knowledge of restoration. The project, considering as a Research Center for the Restoration and Conservation of Ancient Techniques, is prioritized as an emphasis on the Andean worldview. It is governed in 3 large areas: Public (HURIN PLAZA), Semipublic (KAI PLAZA), Private (HANAN PLAZA). Starting from the high Andean knowledge of the 3 pillars of the reinterpreted worldview to knowledge, such as those of The APUS (visuals and connections of the 3 viewpoints of the area with that of the project), YAQU (Internal Irrigation Works, Project Sustainability), ALLPA (Land Works and Different Technical Contributions (TAPIAL and BTC)), connected, by PACARINAS, being the connection between the different concepts of underland worlds - terrestrial and ancestral.
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