Citas bibligráficas
Del, F., (2021). Cultura global y arquitectura: edificios para el arte, la lectura y la memoria en Lima del siglo XXI [Tesis, Universidad Nacional de Ingeniería]. http://hdl.handle.net/20.500.14076/21218
Del, F., Cultura global y arquitectura: edificios para el arte, la lectura y la memoria en Lima del siglo XXI [Tesis]. PE: Universidad Nacional de Ingeniería; 2021. http://hdl.handle.net/20.500.14076/21218
@mastersthesis{renati/266490,
title = "Cultura global y arquitectura: edificios para el arte, la lectura y la memoria en Lima del siglo XXI",
author = "Del Solar Gonzales, Francisco Efraín",
publisher = "Universidad Nacional de Ingeniería",
year = "2021"
}
Architecture is a cultural manifestation through which it is not only sought to satisfy material, functional and aesthetic needs; architecture comprises elements, forms and spaces related to a set of values common to various contemporary societies and which are defined in cultural components. Therefore, the objective of this research is to distinguish with sufficient precision the technological, sociological and ideological components of global culture that influence and determine the formal and significant expression of architecture for art, reading and memory in Lima. To this end, a methodological model has been proposed that allows filling a knowledge gap by distinguishing the cultural components that influence and determine the formal structure, as well as the significant contents of architecture. This model has been designed, incorporating qualitative techniques such as the interview with the designers, which investigates the original concepts used in the project; the graphical analysis of the planimetry, as well as the visual and photographic route of each project. At the same time, a survey has been applied to users that allows addressing the perception of significant content by counting and interpreting the concepts found in each project in the sample. The conclusions of this research validate the analytical model that verifies the incidence and determination of the technological, sociological and ideological dimensions that appear in the structure of the specific form and the corresponding significant contents that contain conceptually modem, postmodem and hypermodem values of culture global in contemporary architecture. The results showed that modem technological components influence and determine the structure and material configuration of architecture; the postmodern and hypermodem sociological components do so in the formal expression itself and finally the ideological components, mainly hypermodern, are revealed in the meaningful codification of an architecture that does not pretend to be framed in a specific stylistic definition but that highlights values and contents of conceptual components that originate from the global culture of the 21 st century.
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