Bibliographic citations
Espinoza, J., (2023). Prácticas comunicativas de las organizaciones culturales Cobrizo Minero y Taki Danza y sus modos de expresión de la identidad cultural local en la ciudad de Cerro de Pasco [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/25145
Espinoza, J., Prácticas comunicativas de las organizaciones culturales Cobrizo Minero y Taki Danza y sus modos de expresión de la identidad cultural local en la ciudad de Cerro de Pasco []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/25145
@misc{renati/24592,
title = "Prácticas comunicativas de las organizaciones culturales Cobrizo Minero y Taki Danza y sus modos de expresión de la identidad cultural local en la ciudad de Cerro de Pasco",
author = "Espinoza Ventura, Jefferson Gustavo",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
The present research aims to analyze the way in which the communicative practices of the community living culture experiences Taki Danza and Cobrizo Minero foster the expression of the cultural identity of the city of Cerro de Pasco. This study is based on the growing interest in systematizing local initiatives to contribute to the knowledge of community cultural bonding in Peru. In this context, both experiences are approached from the communicative practices, understood as all the actions carried out by individuals in a continuous generation of common meanings through their interaction, and the Community Living Culture, which highlights the role of self-managed collectives and their local social impact through the generation of alternatives for a peaceful coexistence. For this, based on situated knowledge, where the researcher is also part of the phenomenon under study, a qualitative research approach is developed through the application of 10 in-depth interviews, which are complemented with the review of communication resources and field visits. In conclusion, the main objective of both initiatives is the promotion and revaluation of local cultural identity, through their organizational relationships and their artistic activities, theater and dance. Therefore, their actions are configured as an act of resistance within a city marked by the advance of mining activity and the dispute over its historical memory.
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