Citas bibligráficas
Olguín, N., (2024). Creación de laboratorio de arte textil desde la reproducción del gorro de cuatro puntas: Plan de desarrollo en contexto COVID-19 [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/29305
Olguín, N., Creación de laboratorio de arte textil desde la reproducción del gorro de cuatro puntas: Plan de desarrollo en contexto COVID-19 []. PE: Pontificia Universidad Católica del Perú; 2024. http://hdl.handle.net/20.500.12404/29305
@misc{renati/1661551,
title = "Creación de laboratorio de arte textil desde la reproducción del gorro de cuatro puntas: Plan de desarrollo en contexto COVID-19",
author = "Olguín Bravo, Nicolle Andrea",
publisher = "Pontificia Universidad Católica del Perú",
year = "2024"
}
The following research aims to set the parameters of a design methodology for the creation of a textile art laboratory, in which the application of the ancestral technique of weaving the four-cornered hat is formulated, taking COVID-19 pandemic as context, considering it a current issue with which the contemporary Peruvian can feel identified. To do this, the research is developed under a descriptive methodology of a qualitative nature, such as the Double Diamond methodology and the formal art analysis, allowing to understand the Wari and Tiwanaku four-cornered hat (Wari 500 – 1200 A.D. and Tiwanaku 250 B.C. – 1000 A.D.) from its historical context and evaluating the creative possibilities to shape a prototype. The data collection techniques that have allowed to obtain the results were semi-structured interviews, photographic analysis and registration of experiments and processes through an art journal. In addition, the virtual workshop was implemented as a research methodology carrying out a participatory observation to collect testimonies about experiences during the pandemic, and at the same time to provide information about the four-cornered hat. From the textile creation linked to the elaboration of the four-cornered hat with the testimonies, the permanence of this ancestral garment is sought within the imaginary of the contemporary Peruvian, recognizing it and reaffirming it as part of their cultural heritage. Therefore, it is concluded that the implementation of the virtual workshop is essential in the creation of the textile laboratory due to the positive results it presents.
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