Citas bibligráficas
Herrera, O., (2024). Reflexiones sobre el proceso creativo musical de la obra para percusión Óptica Lunar de Obed Herrera Portella [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/29130
Herrera, O., Reflexiones sobre el proceso creativo musical de la obra para percusión Óptica Lunar de Obed Herrera Portella []. PE: Pontificia Universidad Católica del Perú; 2024. http://hdl.handle.net/20.500.12404/29130
@misc{renati/1661308,
title = "Reflexiones sobre el proceso creativo musical de la obra para percusión Óptica Lunar de Obed Herrera Portella",
author = "Herrera Portella, Obed Alexander Juan",
publisher = "Pontificia Universidad Católica del Perú",
year = "2024"
}
The main objective of this research is to describe and analyze the musical creative process of the work for percussion Optica Lunar by Obed Herrera Portella, thus contributing to the knowledge about the musical creative processes, from the beginning to the end of the work, in a environment such as the Peruvian, where there are few academic references in this regard. The achieve this objective, the first chapter shows the contribution of academic material on musical creative processes written by great composers of the past, as well as interviews with contemporary composers from the Latin American environment, who in the present investigation were Diana Arismendi, Juan Arroyo, Luca Belcastro, Benjamin Bonilla, Jimmy Lopez, Aurelio Tello and Alvaro Zuñiga, who showed us their ways of approaching their own creative processes. In the second chapter, the creative process of the work "Lunar Optics" is described and analyzed, showing, in a staggered way, the development of the musical composition until its culmination, evidencing its construction through the analysis of the musical material with the theory of sets of height classes. In general terms, this research has managed to answer the question: How was the creative process of the work Optica Lunar by Obed Herrera Portella carried out?
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