Citas bibligráficas
Fernandez, V., (2024). Matríz de sentido extra-musical en el género musical qhaswa de Livitaca [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/29535
Fernandez, V., Matríz de sentido extra-musical en el género musical qhaswa de Livitaca []. PE: Pontificia Universidad Católica del Perú; 2024. http://hdl.handle.net/20.500.12404/29535
@mastersthesis{renati/1659509,
title = "Matríz de sentido extra-musical en el género musical qhaswa de Livitaca",
author = "Fernandez Coronel, Valerio",
publisher = "Pontificia Universidad Católica del Perú",
year = "2024"
}
The structure in terms of instrumentation, distribution of parts, poetic style and textual composition of the qhaswa corpus shows a solid system. The aim of this research is to identify the matrix of extra musical meaning that underlies the mentioned sound complex, with a perspective towards modeling. This musical genre is practiced in the area of Livitaca district in Chumbivilcas province and department of Cusco. To achieve the aforementioned purpose, field work has been carried out in the communities of Livitcaca, which consisted of participant obervation, recordings and semi-structured interviews. A critical review of the specialized literature on musicology and other related disciplenes was included as well. On that way, the current work reveals the existence of an extramusical theoretical model underlying the sound corpus and its staging of the qhaswa. At the same time, a set of structural principles fulfills the function of articulator, which is felt and lived by the community members of Livitaca. The starting point of the underlying theoretical model is the principle of parity, which organizes the entire corpus of qhaswa. It is an archetypal matrix, whose central feature is the existence of an articulating center (included middle), in the manner of the Aristotelian syllogism. Its projection is the community thought and relationality.
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