Citas bibligráficas
Vieira, M., (2023). Mujeres invisibles en escena: La representación de la mujer amazónica a través de la ficción teatral en la obra Savia de Luis Alberto León y Chela De Ferrari del Teatro La Plaza [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/24861
Vieira, M., Mujeres invisibles en escena: La representación de la mujer amazónica a través de la ficción teatral en la obra Savia de Luis Alberto León y Chela De Ferrari del Teatro La Plaza []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/24861
@mastersthesis{renati/1657804,
title = "Mujeres invisibles en escena: La representación de la mujer amazónica a través de la ficción teatral en la obra Savia de Luis Alberto León y Chela De Ferrari del Teatro La Plaza",
author = "Vieira Aliaga, Mirtha Alejandra",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
This thesis is based on a questioning about the implications of how "otherness" is represented in the theater of Lima, particularly when it comes to subaltern human groups that are usually invisible and whose representations with a greater reach tend to be built by members outside their community. This research intends to analyze how the representation of Amazonian women is portrayed in the play Savia of Teatro La Plaza. I believe that it is part of our responsibility as artists to show on stage issues that need to be addressed by our society. However, we must be specially aware of how we portray human groups that we don’t belong to. To achieve this analysis, the different representations of Amazonian women that appear in the piece have been described and the elements that compose those representations have been recognized in this research. In addition, the problems that stem from these representations have been identified from the perspective of postcolonial studies and the subaltern theory, to finally examine the way in which empathy is built on stage between the story and the audience, in order to sympathize with Amazonian women and give them visibility. The methodology focuses on the analysis of the dramatic text of the play and the recording of the performance. This research gives us notions about the complexities of the representation of subaltern communities, because even when it comes to highlighting racist and colonialist discourses, the play may use stereotypes associated with those discourses, since they belong to their creators’ social imaginary.
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