Bibliographic citations
Rios, E., (2024). Resemantización de los códigos visuales y narrativos de las Tablas de Sarhua contemporáneas desde 1980 hasta el 2020 en Ayacucho [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/674929
Rios, E., Resemantización de los códigos visuales y narrativos de las Tablas de Sarhua contemporáneas desde 1980 hasta el 2020 en Ayacucho [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2024. http://hdl.handle.net/10757/674929
@misc{renati/1298596,
title = "Resemantización de los códigos visuales y narrativos de las Tablas de Sarhua contemporáneas desde 1980 hasta el 2020 en Ayacucho",
author = "Rios Luján, Estefany Selene",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2024"
}
The purpose of this research is to study the resemantization of visual and narrative codes in both ancient and contemporary Sarhua Tablets. Our objective is to analyze the significant changes in the visual and narrative codes of contemporary Sarhua Tablets from 1980 to 2020 in Ayacucho. We propose the hypothesis that these changes are influenced by contemporary issues and social movements that have taken place in Ayacucho. The research is based on a qualitative approach with a descriptive-analytical scope, focusing on the analysis and interpretation of the resemantization of the visual and narrative codes of the Sarhua Tablets. The content of the tablets will not be manipulated, but rather a visual approach and thematic analysis of ancient and modern tablets will be used. The results of this study reveal that the visual changes are related to different periods and political events, as well as the impact of the themes on the new painters and on the general public interested in Andean art. It is observed that the old panels present a familiar atmosphere with strong and vivid colors, dealing with themes of daily life and historical and social episodes of the town of Sarhua, in the department of Ayacucho. It is concluded that the most notable changes in the contemporary tables are the greater use of vibrant colors and their ability to remain relevant over time. In addition, a thematic continuity is observed, although the old tables focus on family union, while the modern tables represent scenes of historical social processes.
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