Citas bibligráficas
Peña, C., (2021). Representación de los personajes andinos migrantes en las series de televisión peruana [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/660962
Peña, C., Representación de los personajes andinos migrantes en las series de televisión peruana [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/660962
@misc{renati/1292947,
title = "Representación de los personajes andinos migrantes en las series de televisión peruana",
author = "Peña Carrillo, César Alonso",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
Despite the new regulations and institutions that protect the cultural integrity of the Andean populations, they continue to be a human group stigmatized by television, to the point that their image is invisible on the small screen (Ardito, 2014). However, the figure of the Andean man takes on major relevance in the comic programs with the figure of the cholo, where he is represented as a dirty, uneducated, and submissive character. On the other hand, Andean women are represented by transvestite men, who use skirts and long braids as part of their characterization (Tejada, 2020). Without a doubt, one of the comic characters who has the most criticisms and denunciations is the Paisana Jacinta, who denigrates the image of the Andean woman by representing her as an untidy, ignorant and aggressive person (Heros, 2016). Meanwhile, the Andean characters in the TV series are constantly assigned and placed in roles such as maids, bus conductors or criminals (Ardito, 2014). Precisely, the main objective of this research is to analyze the representation of Andean migrant characters in the TV series Al fondo hay sitio and De vuelta al barrio. For this purpose, content analysis will be used as a research tool to examine the construction of the Andean character in its physical, psychological and social dimensions.
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