Bibliographic citations
Quiñones, G., (2020). Neoindigenismo en la obra cinematográfica de Oscar Catacora: Una revisión de la ópera prima Wiñaypacha como pieza Neoindigenista [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/655136
Quiñones, G., Neoindigenismo en la obra cinematográfica de Oscar Catacora: Una revisión de la ópera prima Wiñaypacha como pieza Neoindigenista [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2020. http://hdl.handle.net/10757/655136
@misc{sunedu/4385247,
title = "Neoindigenismo en la obra cinematográfica de Oscar Catacora: Una revisión de la ópera prima Wiñaypacha como pieza Neoindigenista",
author = "Quiñones Beltrán, Giancarlo",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2020"
}
The following research article explores the Peruvian cultural environment through Oscar Catacora's first feature. Neoindigenism in the history of Peruvian culture will be reviewed and contrasted with more recent works that escape the literature in which this movement originates to demonstrate its presence in the Wiñaypacha tape by the aforementioned author. This is due to the great contribution to culture that the movement left behind, surpassing what was previously attempted by indigenism. The work of authors of great neo-indigenous novels like Redoble por Rancas serve as a starting point to understand the essence of the movement. Also, it will be possible to find it in the Catacora film, in its most symbolic expressions. For this reason, the research question that arises is: What aspects of the film Wiñaypacha can be considered from the Neoindigenism artistic trend? In this way we can inquire about whether the struggle for equality of indigenous peoples or indigenous peoples still exists today, affected by a possible forgetfulness that we will understand as part of society and the state towards these peoples.
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