Bibliographic citations
Ramirez, P., (2024). Las texturas musicales en el pop: exploración desde la teoría de George Frederick McKay sobre la textura musical en el arreglo de una canción pop [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/27997
Ramirez, P., Las texturas musicales en el pop: exploración desde la teoría de George Frederick McKay sobre la textura musical en el arreglo de una canción pop []. PE: Pontificia Universidad Católica del Perú; 2024. http://hdl.handle.net/20.500.12404/27997
@misc{sunedu/3663700,
title = "Las texturas musicales en el pop: exploración desde la teoría de George Frederick McKay sobre la textura musical en el arreglo de una canción pop",
author = "Ramirez Sanchez, Paulo Mauricio",
publisher = "Pontificia Universidad Católica del Perú",
year = "2024"
}
The purpose of this thesis is to experiment through the use of George Frederick McKay's theory on musical texture in the creation of an arrangement for a pop song. This theory is found in the book Creative Orchestration (1963) and describes nine musical textures applied to the symphony orchestra: monophonic, chordal, polyphonic, homophonic, polythematic, polyrhythmic, heterophonic, onomatopoeic, and textural combination. In this sense, this research aims to explore how this theory, originally applied to academic music, can be translated into the creation of a pop music arrangement. This document explains how McKay's theoretical framework was applied and the intention behind its use in the arrangement. The results of the experimentation demonstrated that the objective was achieved with the help of various music production practices and tools, and despite being a theory developed from an academic perspective, the aesthetic and commercial aspects of pop music were successfully maintained.
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