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Chocre, D., (2023). La Música Tradicional Originaria en el Fortalecimiento de la Identidad Cultural [Asociación Pukllasunchis]. http://repositorio.pukllasunchis.org/xmlui/handle/PUK/76
Chocre, D., La Música Tradicional Originaria en el Fortalecimiento de la Identidad Cultural []. PE: Asociación Pukllasunchis; 2023. http://repositorio.pukllasunchis.org/xmlui/handle/PUK/76
@misc{renati/816382,
title = "La Música Tradicional Originaria en el Fortalecimiento de la Identidad Cultural",
author = "Chocre Huacho, David",
publisher = "Asociación Pukllasunchis",
year = "2023"
}
Title: La Música Tradicional Originaria en el Fortalecimiento de la Identidad Cultural
Authors(s): Chocre Huacho, David
Advisor(s): Bellota Rodríguez, Vilma Raquel
Keywords: música tradicional; identidad cultural; fortalecimiento de la identidad; ciclicidad e interpretaciones musicales
OCDE field: https://purl.org/pe-repo/ocde/ford#5.03.01
Issue Date: 7-Dec-2023
Institution: Asociación Pukllasunchis
Abstract: Resumen
El presente trabajo de investigación es realizado desde el interés del investigador por la música local, tanto por su manifestación en las actividades comunitarias como instrumento para el fortalecimiento de la identidad cultural, y revitalización de las diferentes manifestaciones festivo culturales. En absoluto, el objetivo radica en explicar el fortalecimiento de la identidad cultural a partir de la integración de la música tradicional originaria en los niños y niñas. Para lo cual, se ha revisado diferentes tesis como antecedentes en las que se propone construir, fortalecer la identidad cultural y la incorporación de la música folclórica, tradicional u originaria. Así mismo, se ha entrevistado a diferentes personas mayores que vivieron el proceso de integración y crianza de esta expresión comunitaria, docentes que aprecian el desarrollo cultural de los niños y niñas, y a los últimos para comprender la percepción de todo lo planteado. Llegando así a un principal resultado que es un documento que explica el fortalecimiento de la identidad cultural desde el preámbulo de la integración de la música tradicional original y los indicios de este proceso en los niños y niñas y la comunidad.
Abstract This research work is carried out from the researcher's interest in local music, both for its manifestation in community activities and as an instrument for strengthening cultural identity, and revitalization of the different cultural festival manifestations. Not at all, the objective is to explain the strengthening of cultural identity from the integration of native traditional music in children. For which, different theses have been reviewed as antecedents in which it is proposed to build, strengthen cultural identity, the incorporation of folk, traditional or native music. Likewise, different older people who lived through the process of integration and upbringing of this community expression, teachers who appreciate the cultural development of boys and girls, and the latter to understand the perception of everything raised have been interviewed. This reaching a main result that is a document that explains the strengthening of cultural identity from the preamble to the integration of original traditional music and the signs of this process in children and the community. Keywords: traditional music, cultural identity, identity strengthening, cyclicality and musical interpretations.
Pisi rimayllapi Kay llank’ayqa, t’aqwiriqpa takikuna, tukaykuna, tukanakuna, ayllupi sumaq kawsaykuna watukuq sunqunmantam paqarimun. Kay munay kawsaykuna, yachay wasikunapi, llank’anakunapi, wayraman rimana wasikunapi, mana rikhuriqtinmi, apayuyta munaspa llank’arikun. Ayllupi sumaq kawsaykunaqa, ayllunchikpa sunqunmanta paqariqmi, runamasinchikkunaq sunqunman haykuspaqa, kusachan kanman ñawpa qhapaq yachaykuna kallpachanapaq, waqmanta kawsarichispa llanllarichinapaq. Llank’ayninchikpa aypananmi lliw kallpanwan kawsapakun; “ayllunchikpi paqariq, ñawpa watakunamantaraq takiykuq, tukakuq uyarikuykuna yachaywasiman apayukuspa wawakunaq ayllunkumanta sayapakuq sunqunku kallpachanapaq”. Chaypaqmi, hatuntaraq huch’uytaraq takiy tukaymanta lliw qhillqa mayt’ukunata t’aqwirikun. Hinallataq ayllupi yachaqkunata, yuyaqkunawanpas rimarikunmi, allinta yachaypa sunqunkama chaynanpaq. Kay k’uskiriychakunata ruwarispan, qhawarikun riki ayllunchikpi tukuy yachaykunaq chinkaripuyman puririsqanta. Hinallataq, kay qhillqa mayt’uq allin kawsaypaq hatun yanapakuyninta, chaymanta pacha warmachakunaq ayllupi kawsaymanta sunquchankuq phuturimusqanta. Chanin rimaykuna: música tradicional, identidad cultural, fortalecimiento de la identidad, ciclicidad e interpretaciones musicales.
Abstract This research work is carried out from the researcher's interest in local music, both for its manifestation in community activities and as an instrument for strengthening cultural identity, and revitalization of the different cultural festival manifestations. Not at all, the objective is to explain the strengthening of cultural identity from the integration of native traditional music in children. For which, different theses have been reviewed as antecedents in which it is proposed to build, strengthen cultural identity, the incorporation of folk, traditional or native music. Likewise, different older people who lived through the process of integration and upbringing of this community expression, teachers who appreciate the cultural development of boys and girls, and the latter to understand the perception of everything raised have been interviewed. This reaching a main result that is a document that explains the strengthening of cultural identity from the preamble to the integration of original traditional music and the signs of this process in children and the community. Keywords: traditional music, cultural identity, identity strengthening, cyclicality and musical interpretations.
Pisi rimayllapi Kay llank’ayqa, t’aqwiriqpa takikuna, tukaykuna, tukanakuna, ayllupi sumaq kawsaykuna watukuq sunqunmantam paqarimun. Kay munay kawsaykuna, yachay wasikunapi, llank’anakunapi, wayraman rimana wasikunapi, mana rikhuriqtinmi, apayuyta munaspa llank’arikun. Ayllupi sumaq kawsaykunaqa, ayllunchikpa sunqunmanta paqariqmi, runamasinchikkunaq sunqunman haykuspaqa, kusachan kanman ñawpa qhapaq yachaykuna kallpachanapaq, waqmanta kawsarichispa llanllarichinapaq. Llank’ayninchikpa aypananmi lliw kallpanwan kawsapakun; “ayllunchikpi paqariq, ñawpa watakunamantaraq takiykuq, tukakuq uyarikuykuna yachaywasiman apayukuspa wawakunaq ayllunkumanta sayapakuq sunqunku kallpachanapaq”. Chaypaqmi, hatuntaraq huch’uytaraq takiy tukaymanta lliw qhillqa mayt’ukunata t’aqwirikun. Hinallataq ayllupi yachaqkunata, yuyaqkunawanpas rimarikunmi, allinta yachaypa sunqunkama chaynanpaq. Kay k’uskiriychakunata ruwarispan, qhawarikun riki ayllunchikpi tukuy yachaykunaq chinkaripuyman puririsqanta. Hinallataq, kay qhillqa mayt’uq allin kawsaypaq hatun yanapakuyninta, chaymanta pacha warmachakunaq ayllupi kawsaymanta sunquchankuq phuturimusqanta. Chanin rimaykuna: música tradicional, identidad cultural, fortalecimiento de la identidad, ciclicidad e interpretaciones musicales.
Link to repository: http://repositorio.pukllasunchis.org/xmlui/handle/PUK/76
Discipline: Educación Primaria Intercultural Bilingüe
Grade or title grantor: EESP Pukllasunchis
Grade or title: Bachiller en Educación Primaria Intercultural Bilingüe
Juror: Eguiluz Duffy, Cecilia María; Guevara Zambrano, Carlos Andrés; Santisteban Matto, Ruth Dina; Gonzales Bejar, Amanda
Register date: 9-Dec-2023
This item is licensed under a Creative Commons License