Bibliographic citations
Echegaray, K., (2024). Métodos de desarrollo en la psicomotricidad fina mediante Mandalas utilizando la técnica de la dactilopintura con estudiantes del 1° grado de primaria del Glorioso Colegio Nacional de Ciencias, 2021 [Universidad Nacional de Arte Diego Quispe Tito del Cusco]. https://hdl.handle.net/20.500.14400/40
Echegaray, K., Métodos de desarrollo en la psicomotricidad fina mediante Mandalas utilizando la técnica de la dactilopintura con estudiantes del 1° grado de primaria del Glorioso Colegio Nacional de Ciencias, 2021 []. PE: Universidad Nacional de Arte Diego Quispe Tito del Cusco; 2024. https://hdl.handle.net/20.500.14400/40
@misc{renati/716023,
title = "Métodos de desarrollo en la psicomotricidad fina mediante Mandalas utilizando la técnica de la dactilopintura con estudiantes del 1° grado de primaria del Glorioso Colegio Nacional de Ciencias, 2021",
author = "Echegaray Rodriguez, Kehina",
publisher = "Universidad Nacional de Arte Diego Quispe Tito del Cusco",
year = "2024"
}
The main objective of this research work is: Determine the development methods in fine psychomotor skills through Mandalas, using the finger-painting technique with 1st grade B primary school students from the Glorioso National College of Sciences. When working with the first grade children, it was observed that the majority of the students were unmotivated, distracted, and lacked precision in carrying out their work as a consequence of the virtual work they did during their initial level studies due to the pandemic; which is why design thinking methods were applied through the development of more creativity from the videos observed, recognition, protagonism of their own learning, accepting their mistakes and reacting calmly, being the characteristics of the Montessori method, applied in their work with mandalas, such as flowers, and Christmas themes through mandalas, using the finger painting technique with their fingers to develop their fine motor skills, achieving students' attention, concentration, tranquility and serenity when painting the mandalas; the precision in carrying out their work as well as in the mixing of primary colors to obtain secondary ones, showing security.
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