Bibliographic citations
Reyes, A., (2023). Una mirada a la representación de la mujer durante el 8 de marzo en la comunicación de la página de Facebook del supermercado Plaza Vea desde 2010 hasta 2022 y su acercamiento al Femvertising [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/25923
Reyes, A., Una mirada a la representación de la mujer durante el 8 de marzo en la comunicación de la página de Facebook del supermercado Plaza Vea desde 2010 hasta 2022 y su acercamiento al Femvertising []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/25923
@misc{renati/536288,
title = "Una mirada a la representación de la mujer durante el 8 de marzo en la comunicación de la página de Facebook del supermercado Plaza Vea desde 2010 hasta 2022 y su acercamiento al Femvertising",
author = "Reyes Mendoza, Antonella Belen",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
Over the last few years, advertising has started implementing a new approach, known as Femvertising, that seeks to reclaim and vindicate the representation of women in the world of advertising. Its goal is to break stereotypes and traditional roles while also promoting female empowerment. Peruvian brands, seem to be using this approach, specially, during important dates such as Women’s Day. Therefore, this research is set to identify the way in which women have been represented during the 8th of March, in the Facebook communication of the supermarket Plaza Vea, through the years, from 2010 until 2022 and its relation to Femvertising specially. In order to comply with what has been said, various tools have been used, such as content analysis, the word cloud, a semantic analysis of the sentences and a Femvertising principles analysis based on Becker-Herby classification (2016), these together have allowed an overview of the communication of Plaza Vea. The investigation concludes that Plaza Vea has had an evolution in terms of the depiction of women, which can be divided into two, a stage between 2011 and 2016, where women are represented in a traditional and stereotyped way, under a narrative of celebration. And a second stage, from 2018 to 2022, the depiction of women changes in terms of personality and roles, but physically maintains the model of the first stage. In addition, it is concluded that this second stage is the one that is most aligned with Femvertising, following three of its five principles.
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