Bibliographic citations
Montero, D., (2023). ¿Es el teatro un vehículo para la sanación?: El teatro memoria y las víctimas del conflicto armado interno en el Perú [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/25822
Montero, D., ¿Es el teatro un vehículo para la sanación?: El teatro memoria y las víctimas del conflicto armado interno en el Perú []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/25822
@misc{renati/533970,
title = "¿Es el teatro un vehículo para la sanación?: El teatro memoria y las víctimas del conflicto armado interno en el Perú",
author = "Montero Baumann, Dánitza",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
The following research paper analices the way that the consumption of “memory theater” manages to develop a symbolic reparation around the survivors of the internal armed conflict in Peru. Therefore, it is suggested that “memory theater” achieves this goal through the symbolic interactionism of the play and the impact between the audience and the themes and facts surrounding their victimizing events, through psychosocial impact. To argue this hypothesis, the issue raised is justified in two chapters. The first one being where the context of the internal armed conflict is exposed, focusing on the psychosocial consequences that affect survivors to this day. In addition, it will explain important facts about “memory theater” like its emergence, characteristics and the symbology used. Likewise, it is covered in a general way and also in relation to our country. Thus, it proceeds to explain the relation between “memory theater” and everything that surrounds it, with the context of the internal armed conflict in Peru, focusing on how they nourish each other on stage. On the other hand, the second chapter raises concepts around psychosocial impact and symbolic interaction, their relation to performing arts, “memory theater” and the impact that they have on the audience. Finally, the meaning of symbolic reparation is exposed, next to the issues it raises and their relation to memory theater, analyzing the way they converge with psychosocial impact and symbolic interaction, working towards the healing of the victims.
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