Bibliographic citations
Granda, S., (2023). Te pienso, te agradezco: el objeto personal y el espacio doméstico como medios escénicos para generar narrativas de contención sobre el duelo [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/25228
Granda, S., Te pienso, te agradezco: el objeto personal y el espacio doméstico como medios escénicos para generar narrativas de contención sobre el duelo []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/25228
@misc{renati/528460,
title = "Te pienso, te agradezco: el objeto personal y el espacio doméstico como medios escénicos para generar narrativas de contención sobre el duelo",
author = "Granda Pebe, Sandra Angelica",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
This thesis shows the results of a practical laboratory carried out with three performers from the Pontifical Catholic University of Peru (PUCP), with their personal objects and the domestic space as scenic means to generate narratives of contention about grief. The methodology used is based on the development of the practical laboratory, which lasts two months and is divided into three modules of group and individual sessions. This space prioritizes being a safe, horizontal and supportive place for the participants. The process concludes with a closed show in which the most significant findings are presented. In addition, during these months, the performers and the guide work with virtual logs. This together helps to identify and understand the narratives, which show that they do not remain only in the painful experience, but that the performers can transform them, re-signify them and identify new resources in order to share them in a careful and kind way for them. According to this, the role of the house and personal objects is fundamental, since working with them through the performing arts shows us the secrets they contain, develops links and meanings that are continuously transformed, and with this, narratives are generated that allow us to perceive the grieving process from different points of view. For example, the nuances of the people who transcend and those who remain, the decision of how we want to remember our loved one, the reflections on the containment with ourselves and others when experiencing a mourning, and the transformation of spaces or objects such as the closet. Which, at the beginning, feels like the gates of hell or vulnerability and then becomes a cozy, safe place that shelters very precious memories.
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