Bibliographic citations
Abad, M., Arana, D. (2023). El jazz y su pasado en una herramienta actoral : una fusión interdisciplinaria entre la música y el teatro [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/24118
Abad, M., Arana, D. El jazz y su pasado en una herramienta actoral : una fusión interdisciplinaria entre la música y el teatro []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/24118
@misc{renati/527860,
title = "El jazz y su pasado en una herramienta actoral : una fusión interdisciplinaria entre la música y el teatro",
author = "Arana Reyes Escobar, Diego Alejandro",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
In this research, the jazz genre is revalued from its application in the development of the undergraduate thesis laboratory with a major in theater to be carried out by the researchers of the present study. Thus, from an ethical approach, the musical genre is approached for its use in a respectful way, avoiding falling into cultural appropriation and generating an interdisciplinary fusion. The present study explains the contribution of jazz and its historical background; it examines how music contributes to theater for the creation of a tool that trains acting timing; and, finally, an approach to the jazz genre is proposed as a stimulus for an acting tool generating an interdisciplinary, avoiding falling into cultural appropriation. The research is based on previous studies that cover the edges of the subject. Among them are the investigations of Barraza et al. (1985), Morgan (2017), and Rodríguez (2018), which explain the historicalpolitical background of jazz. On the other hand, Martínez (2010) and Gioia (2012), expose the jazz subgenres and their impacto n American society. Finally, Subercasseaux (1988) and Zagalaz & Olaya (2012), explain cultural appropriation and the term of fusion, respectively, to relate it to an interdisciplinary nature between music and theater. As a result of the analysis of historical and cultural sources, it is concluded that jazz can be valued, within the development of an acting tool, reaffirming the belonging of the genre to the Afro-American population by exposing historical facts, and enhancing its impact on the tool by incorporating the principles of identity development and individuality in the interpreters.
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