Bibliographic citations
Mendoza, M., (2024). Análisis del uso de motion graphics como herramienta narrativa en webtoons del género de terror [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/673219
Mendoza, M., Análisis del uso de motion graphics como herramienta narrativa en webtoons del género de terror [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2024. http://hdl.handle.net/10757/673219
@misc{renati/416028,
title = "Análisis del uso de motion graphics como herramienta narrativa en webtoons del género de terror",
author = "Mendoza Postigo, Melina Catherine",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2024"
}
The present research focuses on analyzing the narrative role of motion graphics in horror genre webtoons. This format combines different animation tools. For this reason, the hypothesis is presented that the incorporation of motion graphics uses visual techniques of transition and movement, directing the path and visual focus, with the purpose of generating rhythm and tension in the transitions of moment and aspect in horror webtoons. The proposed methodology consists of a qualitative descriptive approach, since its objective is to analyze the corpus without altering it. Also, it is a non-experimental documentary correlational research, since it seeks to establish a relationship between two variables. That is why the main results obtained are based on the simplicity of the narrative composition and how it focuses the reader's gaze. Additionally, like the visual syntax of the horror genre, which maintains its iconicity at all times, with the collaboration of the visual kinetics of motion graphics, they manage to present more dynamism and capture the viewer's attention. Likewise, it is relevant to mention the reader's participation and his emotional experience, since it was concluded that motion graphics in horror webtoons seek to generate tension through knowledge and expectation of a screamer. Thus, the rhythm generated by the transitions manages to create a tense atmosphere perceptible by the reader. It contributes to the creation and impulse of this sensation, without being an element that completely defines the plot.
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