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Escobar, O., Garcia, A. (2023). Análisis de la narrativa audiovisual en el uso del cine digital, en ‘The Mandalorian’ (2019 – 2020) [Tesis, Universidad Privada del Norte]. https://hdl.handle.net/11537/35391
Escobar, O., Garcia, A. Análisis de la narrativa audiovisual en el uso del cine digital, en ‘The Mandalorian’ (2019 – 2020) [Tesis]. PE: Universidad Privada del Norte; 2023. https://hdl.handle.net/11537/35391
@misc{renati/413930,
title = "Análisis de la narrativa audiovisual en el uso del cine digital, en ‘The Mandalorian’ (2019 – 2020)",
author = "Garcia Ponce, Aldo Manuel",
publisher = "Universidad Privada del Norte",
year = "2023"
}
Title: Análisis de la narrativa audiovisual en el uso del cine digital, en ‘The Mandalorian’ (2019 – 2020)
Authors(s): Escobar Pareja, Oscar Fabricio; Garcia Ponce, Aldo Manuel
Advisor(s): Quiroz Pacheco, Yulvitz Ramón
Keywords: Industria cinematográfica; Tecnología audiovisual; Video digital; Cine digital; Lenguaje audiovisual; Fotografía; Narrativa audiovisual; Efectos especiales; Digital cinema; Audiovisual language; Photography; Audiovisual narrative; Special effects
OCDE field: https://purl.org/pe-repo/ocde/ford#5.08.00
Issue Date: 9-Jun-2023
Institution: Universidad Privada del Norte
Abstract: El propósito del presente documento de investigación es analizar la narrativa audiovisual en el uso del cine digital en la serie de televisión The Mandalorian de Disney+, producción de la que se estudiaron las dos primeras temporadas.
El enfoque del estudio que se realizó fue cualitativo. El análisis de la muestra se llevó a cabo por una suscripción a Disney+, plataforma en la que se encuentra. Además, se verificó, a través del documental de la serie llamada Disney Gallery: The Mandalorian, que el objeto de estudio estuviera grabado en digital.
Los resultados de la investigación, respecto a la narrativa audiovisual, afirma que los directores de dicha producción implementan el lenguaje audiovisual como una herramienta de narración, en donde la cámara adopta diferentes personajes que genera al espectador apreciar la producción audiovisual. Esto de la mano con la historia, que, con el fin de generar emociones, conecta al usuario con la trama y sus protagonistas. Para el cine digital, se consolida que, para un correcto aspecto tecnológico, se debe usar diferentes técnicas que han ido renovándose con el pasar de los años, asentándose en una era digital, que trabaja de la mano con los métodos prácticos ya establecidos en un inicio.
The purpose of this research document is to analyze the audiovisual narrative in the use of digital cinema in the Disney+ television series The Mandalorian, a production of which the first two seasons were studied. The focus of the study that was carried out was qualitative. The analysis of the sample was carried out by a subscription to Disney+, the platform on which it is located. In addition, it was verified, through the documentary of the series called Disney Gallery: The Mandalorian, that the object of study was recorded digitally. The results of the investigation, regarding the audiovisual narrative, affirm that the directors of said production implement the audiovisual language as a narration tool, where the camera adopts different ones that generate the viewer to appreciate the audiovisual production. This goes hand in hand with the story, which, in order to generate emotions, connects the user with the plot and its protagonists. For digital cinema, it is consolidated that, for a correct technological aspect, different techniques must be used that have been renewed over the years, settling in a digital era, which works hand in hand with practical methods already established in a start.
The purpose of this research document is to analyze the audiovisual narrative in the use of digital cinema in the Disney+ television series The Mandalorian, a production of which the first two seasons were studied. The focus of the study that was carried out was qualitative. The analysis of the sample was carried out by a subscription to Disney+, the platform on which it is located. In addition, it was verified, through the documentary of the series called Disney Gallery: The Mandalorian, that the object of study was recorded digitally. The results of the investigation, regarding the audiovisual narrative, affirm that the directors of said production implement the audiovisual language as a narration tool, where the camera adopts different ones that generate the viewer to appreciate the audiovisual production. This goes hand in hand with the story, which, in order to generate emotions, connects the user with the plot and its protagonists. For digital cinema, it is consolidated that, for a correct technological aspect, different techniques must be used that have been renewed over the years, settling in a digital era, which works hand in hand with practical methods already established in a start.
Link to repository: https://hdl.handle.net/11537/35391
Discipline: Comunicación Audiovisual en Medios Digitales
Grade or title grantor: Universidad Privada del Norte. Facultad de Comunicaciones
Grade or title: Licenciado en Comunicación Audiovisual en Medios Digitales
Juror: Cerna Moyano, María Elba; García Granara, Juan David; Mendoza Caballero, Luis Enrique
Register date: 14-Dec-2023
This item is licensed under a Creative Commons License