Bibliographic citations
Ramos, F., (2021). La construcción de memoria a partir de la narrativa del documental Cuba and the Cameraman [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/658965
Ramos, F., La construcción de memoria a partir de la narrativa del documental Cuba and the Cameraman [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/658965
@misc{renati/398491,
title = "La construcción de memoria a partir de la narrativa del documental Cuba and the Cameraman",
author = "Ramos Vasquez, Fiorella",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
The memory within the documentary allows you to move between the past and the present, it serves as an exercise in national resignation, it allows you to look back and become aware of the now. The main objective of this research topic is to expose on the construction of memory around the narrative of the documentary Cuba and the Cameraman. Jon Alpert recorded for more than forty years, starting from the euphoria of Soviet subsidies, the inmigration conflict to the tourism boom. The documentary archive serves as a source of record not only for the individual but also for a collective memory to prevail. The methodology of this research topic seeks to carry out an interpretive paradigm analysis with a qualitative approach, likewise, the case study design is proposed, the technique is content analysis, for this the documentary will be viewed and a guide will be applied content analysis to twenty-four scenes. The context in the story will be analyzed as an evocative of memory, the main events of the narrative structure, character construction and the author’s point of view from the documentary.
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