Bibliographic citations
Ayaucán, D., (2021). Función estética de la dirección fotográfica para la construcción del espacio cinematográfico: película Retablo [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/658868
Ayaucán, D., Función estética de la dirección fotográfica para la construcción del espacio cinematográfico: película Retablo [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/658868
@misc{renati/398380,
title = "Función estética de la dirección fotográfica para la construcción del espacio cinematográfico: película Retablo",
author = "Ayaucán Requena, Diana Fiorella",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
This study presents, as a final analysis, the aesthetic function of the photographic direction of one of the most gallant Peruvian fiction films in the last decade, the movie "Retablo", directed by Alvaro Delgado Aparicio. The photographic aesthetics used for the cinematographic construction of this film is the object of study debited to its subtle and audiovisually motivated work. From there, elements such as light, optics and camera movements complete a function that allows building the cinematographic space of "Retablo", which tells the story about a son and dad relationship between Noah and Segundo, retablo artists in Ayacucho, illustrate the working life, habits and ideologies in this rural area of Peru. Through the staging on scene, staging on frame, staging on series and its respective elements, it is possible to analyze the space in which to trace history. The purpose of this research is to analyze the aesthetic function of the photography direction of one of the most awarded Peruvian fiction films in the last decade, it is the film “Retablo”, directed by Álvaro Delgado Aparicio. The photographic aesthetics used for the cinematographic construction of this film is the object of study due to its meticulous and audiovisual use. Within this, the light, the optics and the camera movements fulfill a function that allows the construction of the cinematographic space of the film: the father-son relationship, Noé and Segundo, artisans of altarpieces in Ayacucho. The different levels of this audiovisual project are reflected, such as the staging, the staging and the staging, which allow the analysis of the space in which the story takes place.
This item is licensed under a Creative Commons License