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Padilla, J., (2021). Influencias y etapas en la música indigenista del Cusco [Tesis, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/656685
Padilla, J., Influencias y etapas en la música indigenista del Cusco [Tesis]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/656685
@misc{renati/396225,
title = "Influencias y etapas en la música indigenista del Cusco",
author = "Padilla Benavente, Juan Daniel",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
Title: Influencias y etapas en la música indigenista del Cusco
Other Titles: Influences and stages of Cusco’s musical indigenism
Authors(s): Padilla Benavente, Juan Daniel
Advisor(s): Colmenares Perales, Luis Enrique Gerardo
Keywords: Música cusqueña; Indigenismo; Arte indigenista; Música indigenista; Nacionalismo; Cusco music; Indigenism; Indigenous art; Indigenist music; Nationalism
OCDE field: http://purl.org/pe-repo/ocde/ford#6.00.00; https://purl.org/pe-repo/ocde/ford#6.04.07
Issue Date: 16-Apr-2021
Institution: Universidad Peruana de Ciencias Aplicadas (UPC)
Abstract: Esta investigación estudia las influencias musicales y las etapas que la Escuela Cusqueña indigenista afrontó a partir de una revisión que indaga en los sucesos que afectaron el desarrollo de la música en Cusco durante los periodos virreinales, decimonónicos y los primeros años del siglo XX. Este enfoque prioriza a los eventos históricos debido a que el indigenismo musical cusqueño se proyectó sobre las expresiones populares consolidadas en un extenso proceso sociocultural. La investigación está estructurada en 3 capítulos. El primero corresponde a la revisión de las raíces indigenistas en el Virreinato del Perú. El segundo estudia la aparición del preindigenismo durante el periodo republicano del siglo XIX. El tercero aborda a la Escuela Cusqueña desde la difusión del movimiento indigenista a comienzos del siglo XX.
This research studies the influences and stages faced by the Cusco indigenist school in the first half of the 20th century, based on a review that examines the viceregal period, nineteenth-century and the first years of the twentieth century that impacted the development of music in Cusco. This approach prioritizes the historical events due to the fact that the Cusco musical indigenism was projected on the popular expressions consolidated in an extensive social and cultural process. The investigation is structured in 3 chapters. The first one corresponds to the revision of the indigenist roots in the Viceroyalty of Peru. The second studies the most immediate roots of the preindigenismo in the republican period of the 19th century. The third discusses the music development since the dissemination of the indigenous movement in the early twentieth century.
This research studies the influences and stages faced by the Cusco indigenist school in the first half of the 20th century, based on a review that examines the viceregal period, nineteenth-century and the first years of the twentieth century that impacted the development of music in Cusco. This approach prioritizes the historical events due to the fact that the Cusco musical indigenism was projected on the popular expressions consolidated in an extensive social and cultural process. The investigation is structured in 3 chapters. The first one corresponds to the revision of the indigenist roots in the Viceroyalty of Peru. The second studies the most immediate roots of the preindigenismo in the republican period of the 19th century. The third discusses the music development since the dissemination of the indigenous movement in the early twentieth century.
Link to repository: http://hdl.handle.net/10757/656685
Discipline: Música
Grade or title grantor: Universidad Peruana de Ciencias Aplicadas (UPC). Facultad de Artes Contemporáneas
Grade or title: Licenciado en Música
Juror: García Solis, Eduardo David; Linares Weilg, Jorge Luis; Cabrera Moscoso, Gabriel
Register date: 8-Jul-2021
This item is licensed under a Creative Commons License