Bibliographic citations
Arteaga, C., (2020). El uso del lenguaje cinematográfico para representar la feminidad en el cine asiático [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/653167
Arteaga, C., El uso del lenguaje cinematográfico para representar la feminidad en el cine asiático [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2020. http://hdl.handle.net/10757/653167
@misc{renati/391886,
title = "El uso del lenguaje cinematográfico para representar la feminidad en el cine asiático",
author = "Arteaga Loarte, Carmen del Pilar",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2020"
}
Asian cinema can be taken as a type of paradigm that has tried to move away from the one established by the almost monopolistic Hollywood film industry. This cinema has been labeled Eurocentrically as "peripheral cinema", because of the simplification that these cinematography’s are sometimes subjected to, deleting their rich diversity. Sometimes this type of cinema is loaded with cinematographic sensuality not necessarily explicit, but rather subtle. They develop plots that are not so complex, or sometimes they are, but totally inversed in a languid cinematographic rhythm that uses visuals and sounds elements that try to make the public committed with the experience of their movies. This cinema also, show us the figure of a woman far away from the phallocentric idea and the stereotypical construct of: the good woman (the virgin and the mother) and the bad woman (the prostitute and the femme fatal), the virtuous (the faithful partner) and the vicious (who appears as easy prey to any man). Everything that in the West has been telled from the perspective of man, in his role as screenwriter, film director, producer or critic.
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