Bibliographic citations
Coronel, V., (2023). Los aportes en las canciones de Chabuca Granda de sus etapas segunda y tercera: un análisis semiológico [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/26417
Coronel, V., Los aportes en las canciones de Chabuca Granda de sus etapas segunda y tercera: un análisis semiológico []. PE: Pontificia Universidad Católica del Perú; 2023. http://hdl.handle.net/20.500.12404/26417
@misc{renati/28823,
title = "Los aportes en las canciones de Chabuca Granda de sus etapas segunda y tercera: un análisis semiológico",
author = "Coronel Saavedra, Valerie Sophia",
publisher = "Pontificia Universidad Católica del Perú",
year = "2023"
}
Criollo music has established itself as one of the most representative cultural manifestations of Peru and as a symbolic and identity element of Lima city. The purpose of this research is to study and analyze the work of the Peruvian composer Chabuca Granda in search of the new contributions she left to Criollo music. To do this, it starts from the proposed division of its production in three major stages and the musical, extramusical and stylistic resources of its songs are collected for each period. First, it presents the birth, development and formation of characteristics of Criollo music before the composer. Then, the incursion of Chabuca Granda into the scene of “criollismo” is presented with the importance that this event had for the genre. Finally, a semiological musical analysis is performed that addresses the poietic, neutral and esthetic dimensions of the songs "El Puente de los suspiros", "Zeñó Manué", "Las flores buenas de Javier", "Cardo o ceniza", "María Landó" and "El surco", corresponding to its three stages.
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