Bibliographic citations
Emé, G., (2017). Los ilustradores de Julio C. Tello : la influencia del indigenismo telúrico-arqueológico en su obra, 1935-1965 [Tesis, Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/9194
Emé, G., Los ilustradores de Julio C. Tello : la influencia del indigenismo telúrico-arqueológico en su obra, 1935-1965 [Tesis]. PE: Pontificia Universidad Católica del Perú; 2017. http://hdl.handle.net/20.500.12404/9194
@mastersthesis{renati/28577,
title = "Los ilustradores de Julio C. Tello : la influencia del indigenismo telúrico-arqueológico en su obra, 1935-1965",
author = "Emé Leyva, Gustavo Adolfo",
publisher = "Pontificia Universidad Católica del Perú",
year = "2017"
}
This thesis analyzes the influence of Julio C. Tello’s thinking on the works of the most important illustrators that worked for him. For this study, Tello’s thinking has been characterized as a type of “telluric indigenismo,” and was both connected and distinguished from other types of indigenismos. Tello’s influence was analyzed in the illustrators’ pieces for Tello, and in their independent artistic production. The illustrators’ works were analyzed in relation to local and foreign precedents. The present investigation identifies Tello’s telluric-archaeological indigenismo as the main influence of some of the illustrators’ pieces. The investigation also draws connections between the pieces and Tello’s and his illustrators’ social and work environment, and with the artistic collective Grupo Waman Poma. For that purpose, pieces by Tello’s illustrators from the AT-MNAAH and JCT-MAA-UNMSM archives were discussed. The illustrations analyzed include: previously unpublished works that show the influence of such telluric-archaeological indigenismo, pieces produced to defend the Lima Valley archaeological ruins, artworks that explored themes beyond both the “telluric-archaeological indigenismo” and Sabogal’s and his disciple´s “peruanismo,” and other forms of local indigenismo such as variants of costumbrismo. This thesis displays and analyzes unpublished material, as well as Tello´s thought, the artists’ output, and their defense of the Lima Valley archaeological sites. These analyses were developed to identify and distinguish telluric-archaeological indigenismo from other indigenismos, and to evidence its presence in the illustrators’ works. Based on the illustrator’s artistic training and in the quality of their output, this study acknowledges the illustrators’ status as artists. These artists achieved little recognition because of their specific professional goals, their lack of economic means and social network in the local art scene, and the fact that their work went against the avant-garde trends of their context. The illustrators played the role of a “rearguard” of remarkable originality. Their works evidence a unique development (still insufficiently studied) among the diverse discourses that attempted to understand the “indigenous man” in Peru during the first half of the twentieth century. Keywords: Indigenism, Illustration, Julio C. Tello, Archaeology, Costumbrism.
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