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Roque, I., (2023). Arreglos de Música Ayacuchana para Piano, Huánuco – 2020 [Universidad Nacional "Daniel Alomía Robles"]. http://hdl.handle.net/20.500.14556/63
Roque, I., Arreglos de Música Ayacuchana para Piano, Huánuco – 2020 []. PE: Universidad Nacional "Daniel Alomía Robles"; 2023. http://hdl.handle.net/20.500.14556/63
@misc{renati/251176,
title = "Arreglos de Música Ayacuchana para Piano, Huánuco – 2020",
author = "Roque Nuñez, Isac Williams",
publisher = "Universidad Nacional "Daniel Alomía Robles"",
year = "2023"
}
Title: Arreglos de Música Ayacuchana para Piano, Huánuco – 2020
Authors(s): Roque Nuñez, Isac Williams
Advisor(s): Cárdenas Viviano, Roberto Carlos
Keywords: Arreglos; adaptaciones; tradición; música
OCDE field: https://purl.org/pe-repo/ocde/ford#6.04.07
Issue Date: 2023
Institution: Universidad Nacional "Daniel Alomía Robles"
Abstract: El presente trabajo de investigación, parte de un estudio cualitativo con el
objetivo de aportar a la cultura musical autóctona del Perú, en base a arreglos al
repertorio pianístico sobre la música ayacuchana.
Presenta un enfoque cualitativo de la investigación, la cual se realizó en
base a los aportes críticos de ocho especialistas en la temática de composición y
arreglos musicales, lo cual los aportes fueron importantes para desarrollar toda
esta investigación, contribuyendo a la corrección y perfilamiento.
El resultado obtenido de esta investigación fue a dar a conocer la música
ayacuchana, en base a arreglos para piano, cabe resaltar los 4 aportes melódicos
que son; huérfano pajarillo, Adiós pueblo de Ayacucho, Helme y Negra del Alma.
Los resultados de la investigación muestran que los arreglos de música
ayacuchana para piano tienen una gran variedad de estilos y técnicas, y que han
sido influenciados por la música clásica y otras formas de música popular del
Perú. Además, se observa que estos arreglos han permitido una mayor difusión
de la música ayacuchana fuera de su región de origen.
Enfatizamos que la música ayacuchana es muy conocida a nivel mundial,
y a través de su música expresa mucho sentimiento como melancolía, alegría,
amor y otros, los cuales son temáticas del país, contribuyendo además de la
realización de arreglos a la identidad cultural del Perú autóctono olvidado muchas
veces.
This thesis is based on a qualitative study with the objective of contributing to the native musical culture of Ayacucho based on arrangements to the piano repertoire of Ayacucho music. It presents a qualitative approach to the research, which was carried out based on the critical contributions of eight specialists in the thematic of composition and musical arrangements, which contributions were important to develop all this research, contributing to the correction and profiling. The result obtained from this research was to make known a little more about the Ayacucho music but now arranged for the piano instrument, it is worth mentioning the contributions that are; Orphan little bird, Goodbye I can of Ayacucho, Helme and Black Soul. The results of the research show that the arrangements of Ayacucho music for piano have a great variety of styles and techniques, and that they have been influenced by classical music and other forms of Peruvian popular music. Furthermore, it is observed that these arrangements have allowed a wider diffusion of Ayacucho music outside its region of origin. We emphasize that Ayacucho music is well known worldwide, and through its music expresses many feelings such as melancholy, joy, love and others, which are themes of the country, contributing in addition to the realization of arrangements to the cultural identity of native Peru often forgotten.
This thesis is based on a qualitative study with the objective of contributing to the native musical culture of Ayacucho based on arrangements to the piano repertoire of Ayacucho music. It presents a qualitative approach to the research, which was carried out based on the critical contributions of eight specialists in the thematic of composition and musical arrangements, which contributions were important to develop all this research, contributing to the correction and profiling. The result obtained from this research was to make known a little more about the Ayacucho music but now arranged for the piano instrument, it is worth mentioning the contributions that are; Orphan little bird, Goodbye I can of Ayacucho, Helme and Black Soul. The results of the research show that the arrangements of Ayacucho music for piano have a great variety of styles and techniques, and that they have been influenced by classical music and other forms of Peruvian popular music. Furthermore, it is observed that these arrangements have allowed a wider diffusion of Ayacucho music outside its region of origin. We emphasize that Ayacucho music is well known worldwide, and through its music expresses many feelings such as melancholy, joy, love and others, which are themes of the country, contributing in addition to the realization of arrangements to the cultural identity of native Peru often forgotten.
Link to repository: http://hdl.handle.net/20.500.14556/63
Discipline: Música
Grade or title grantor: Universidad Nacional Daniel Alomía Robles
Grade or title: Licenciado en Música Mención: Intérprete, Productor y Director.
Juror: Cabanillas Lopez, Maria Teresa; Jorge Julca, Silverio Leonardo; Malpartida Arce, Brayan André
Register date: 30-Jan-2024
This item is licensed under a Creative Commons License