Citas bibligráficas
Mudarra, G., (2022). La responsabilidad ética del artista respecto al uso de elementos del Teatro Social en la creación de un discurso sobre trata de personas dentro de la representación escénica [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/23486
Mudarra, G., La responsabilidad ética del artista respecto al uso de elementos del Teatro Social en la creación de un discurso sobre trata de personas dentro de la representación escénica []. PE: Pontificia Universidad Católica del Perú; 2022. http://hdl.handle.net/20.500.12404/23486
@misc{renati/24754,
title = "La responsabilidad ética del artista respecto al uso de elementos del Teatro Social en la creación de un discurso sobre trata de personas dentro de la representación escénica",
author = "Mudarra Aylas, Gloria Stefania",
publisher = "Pontificia Universidad Católica del Perú",
year = "2022"
}
This article presents the ethical perspective of the creative process in performing artists when using a discourse on human trafficking in Peru. The artist takes the responsibility of making the voices of many victims heard, who want to express a complaint or try to communicate through the theater. However, it lends itself to the following question: What ethical responsibilities does the artist have when contributing to the creation of a discourse on human trafficking within the stage performance? It is stated that the importance of investigating the context of the other must be taken into account when representing them so as not to position them in a vulnerable population. Likewise, the ethical problems that may arise during the creative process are analyzed, since a different approach can be given by the different positions on this subject. For example, protecting the victim by giving a speech that has the ethical responsibility of representation allows a space to reflect on that. Various ethical concepts of authors are used that propose ways of judging through ethical concepts for an adequate discourse. In this way, it is shown that while respecting the autonomy of the other, elements of the Social Theater can be used, which can contribute to the performing artists to carry an adequate discourse on this social problem. However, it can be seen that the process of creating the discourse and representing the other is a complex exercise that can lend itself to different understandings.
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