Citas bibligráficas
Odiaga, R., (2021). El lenguaje visual de la caricatura política peruana en el segundo gobierno de Alan García: El Otorongo [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/657253
Odiaga, R., El lenguaje visual de la caricatura política peruana en el segundo gobierno de Alan García: El Otorongo [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2021. http://hdl.handle.net/10757/657253
@misc{renati/1290633,
title = "El lenguaje visual de la caricatura política peruana en el segundo gobierno de Alan García: El Otorongo",
author = "Odiaga Noriega, Rafael Fernando",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2021"
}
The aim for this investigation is focused on studying the main characteristics that constructed the visual language of El Otorongo during the second governance of Alan Garcia during the years 2006-2011; as a communication tool and criticism towards the reality of the country. In that sense, the design from this investigation has a descriptive character with a qualitative insight. The results are based on the analysis of 15 covers from this supplement, the same covers that were chosen from the interviews that were done to seven cartoonists from El Otorongo during the same time period mentioned before. A visual analysis card was used to identify the main literary devices which were the metaphor and hyperbole, accompanied by different types of humor such as satire and parody. It was also determined by the absence of zoomorphism to represent the figures of power and the constant use of visual tools that connote the different personalities, physical features and representative elements from the political parties they belong to. In this way, it was concluded that despite the diversity of the artistic styles and the graphic elements used by each author, a visual language was defined implicitly in El Otorongo, based on a critic, mocking and reflective tone; that is how the presence of repetitive characteristics such as the character identification and rhetoric figures allowed the reader to truly understand the messages expressed by each author.
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