Bibliographic citations
Marin, H., (2020). Lienzos móviles: la gráfica popular en el transporte público de Lima como registro del diseño peruano entre los años 1992 y 2019 [Trabajo de investigación, Universidad Peruana de Ciencias Aplicadas (UPC)]. http://hdl.handle.net/10757/654666
Marin, H., Lienzos móviles: la gráfica popular en el transporte público de Lima como registro del diseño peruano entre los años 1992 y 2019 [Trabajo de investigación]. PE: Universidad Peruana de Ciencias Aplicadas (UPC); 2020. http://hdl.handle.net/10757/654666
@misc{renati/1289074,
title = "Lienzos móviles: la gráfica popular en el transporte público de Lima como registro del diseño peruano entre los años 1992 y 2019",
author = "Marin Illesca, Harianne Grace",
publisher = "Universidad Peruana de Ciencias Aplicadas (UPC)",
year = "2020"
}
This research aims to analyze the popular graphics of public transport and its role in the development of Peruvian design. It is presumed that, as a pictorial representation, it is an artistic and cultural manifestation of design and should be considered while building the national design paradigm. It is qualitative research with a descriptive and exploratory scope, because it is a subject that has been little studied from the perspective of design itself. Includes a bibliographic analysis referring to the variables and a visual analysis regarding their application in transport. The results indicate that there is a conception of Peruvian design based on stereotypes. Also, that popular graphics is not a style but a category based on the level of expression and freedom that the executor has. In addition, it has been found that, within the popular graphics in transportation, the message and the form vary according to the type of vehicle and its route, since the latter is internalized by the owner of the vehicle. It is concluded that vehicles are spaces that have been mimicking the beliefs, habits and aesthetic judgment of their owners. For this reason, vehicles are a reflection and representation of the communities in which they are mobilized. It is a graphic form whose objective is to capture the expression of emotions, through strokes or messages, and even ephemerality. Visually it has no limitations and it is established as a visual reference for those who, in their passage through Lima, come across these mobile canvases.
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