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Gómez, L., (2018). Metal in Utrecht : The metal scene and the issues of identity in a cosmopolitan city [Tesis, Universiteit Utrecht]. http://renati.sunedu.gob.pe/handle/sunedu/952237
Gómez, L., Metal in Utrecht : The metal scene and the issues of identity in a cosmopolitan city [Tesis]. NL: Universiteit Utrecht; 2018. http://renati.sunedu.gob.pe/handle/sunedu/952237
@mastersthesis{renati/1276,
title = "Metal in Utrecht : The metal scene and the issues of identity in a cosmopolitan city",
author = "Gómez Garay, Lucía de Fátima",
publisher = "Universiteit Utrecht",
year = "2018"
}
Title: Metal in Utrecht : The metal scene and the issues of identity in a cosmopolitan city
Other Titles: Metal en Utrecht : La escena del metal y los problemas de identidad en una ciudad cosmopolita
Authors(s): Gómez Garay, Lucía de Fátima
Advisor(s): Akintola Hubbard, Edward; Erven, Eugene van
Keywords: Música rock; Música popular; Heavy metal (Música)
OCDE field: http://purl.org/pe-repo/ocde/ford#6.04.07
Issue Date: 13-Jun-2018
Institution: Universiteit Utrecht
Abstract: Esta tesis propone el concepto de 'escena' como el marco más conveniente para investigar la colectividad musical de metal de acuerdo con los temas de globalización e identidad para proporcionar una investigación real en el campo de los estudios de música popular y el campo de la música metal, también. Por lo tanto, se detallarán las razones por las cuales el concepto de "escena" es pertinente como una formación y actividad social en comparación con otros conceptos a menudo utilizados en estudios similares y cómo se presentará en la colectividad musical de metal. Además, siguiendo el marco del concepto de escena, se mostrarán los problemas de la globalización, como el reconocimiento de un espíritu urbano, los flujos culturales globales y la presencia de la industria de la música en la música heavy metal para comprender lo que realmente abarca la escena y cómo se están desarrollando hasta ahora. Además, se investigarán los estereotipos en torno a la música y la comunidad del metal para establecer una visión general de qué esperar en la escena del heavy metal hoy en día en comparación con los enfoques más antiguos de la música metal. Finalmente, el análisis teórico se contrastará con la investigación etnográfica centrada en la ciudad de Utrecht como nuestro estudio de caso, con un breve alcance de la escena del metal holandesa anteriormente, para examinar el desarrollo de la escena del metal en Utrecht que abarca los elementos mencionados a lo largo de el estudio.
This thesis proposes the concept of the ‘scene’ as the most convenient framework to investigate the metal musical collectivity according to the issues of globalization and identity in order to provide an actual research on the field of popular music studies and the field of the metal music as well. Thus, it will be detailed the reasons why the concept of ‘scene’ is pertinent as a social formation and activity in comparison with other concepts often used on similar studies and how it will be presented in the metal musical collectivity. Furthermore, following the framework of the scene concept, the issues of globalization such as the recognition of an urban ethos, the global cultural flows and the presence of the music industry on heavy metal music will be displayed to grasp what the scene actually encompasses and how they are being developing until now. In addition, the stereotypes around the metal music and community will be investigated to establish an overview of what to expect on the heavy metal scene nowadays in comparison with older approaches to metal music. Finally, the theoretical analysis will be contrasted with ethnographic research focused on the city of Utrecht as our case study, with a brief scope of the Dutch metal scene previously, in order to examine the development of the metal scene in Utrecht encompassing the elements mentioned throughout the study.
This thesis proposes the concept of the ‘scene’ as the most convenient framework to investigate the metal musical collectivity according to the issues of globalization and identity in order to provide an actual research on the field of popular music studies and the field of the metal music as well. Thus, it will be detailed the reasons why the concept of ‘scene’ is pertinent as a social formation and activity in comparison with other concepts often used on similar studies and how it will be presented in the metal musical collectivity. Furthermore, following the framework of the scene concept, the issues of globalization such as the recognition of an urban ethos, the global cultural flows and the presence of the music industry on heavy metal music will be displayed to grasp what the scene actually encompasses and how they are being developing until now. In addition, the stereotypes around the metal music and community will be investigated to establish an overview of what to expect on the heavy metal scene nowadays in comparison with older approaches to metal music. Finally, the theoretical analysis will be contrasted with ethnographic research focused on the city of Utrecht as our case study, with a brief scope of the Dutch metal scene previously, in order to examine the development of the metal scene in Utrecht encompassing the elements mentioned throughout the study.
Link to repository: http://renati.sunedu.gob.pe/handle/sunedu/952237
Discipline: Humanidades
Grade or title grantor: Universiteit Utrecht
Grade or title: Magíster en Arte (Arte y Cultura)
Register date: 1-Apr-2020
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Gomez_Garay_LF.pdf Restricted Access | Tesis (abierto en repositorio de origen) | 754.96 kB | Adobe PDF | View/Open Request a copy |
Autorizacion.pdf Restricted Access | Formato de autorización | 710.94 kB | Adobe PDF | View/Open Request a copy |
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