Bibliographic citations
Huayre, J., (2024). El saxofón en la fiesta andina: uso, repertorio y religiosidad en las orquestas típicas del valle del Mantaro [Pontificia Universidad Católica del Perú]. http://hdl.handle.net/20.500.12404/26961
Huayre, J., El saxofón en la fiesta andina: uso, repertorio y religiosidad en las orquestas típicas del valle del Mantaro []. PE: Pontificia Universidad Católica del Perú; 2024. http://hdl.handle.net/20.500.12404/26961
@mastersthesis{renati/11406,
title = "El saxofón en la fiesta andina: uso, repertorio y religiosidad en las orquestas típicas del valle del Mantaro",
author = "Huayre Cochachin, Juan Clímaco",
publisher = "Pontificia Universidad Católica del Perú",
year = "2024"
}
The Andean celebration is a space where a blend of ancestral and contemporary traditions converge, reflecting the Andean worldview and its close relationship with nature and the universe. In this context, music plays a fundamental role and is transmitted through a wide variety of musical groups or organizations that have emerged in the Andean world over time. At the beginning of the 20th century, in central Peru, the typical orchestra emerged, one of the most representative groups in the Mantaro Valley. As it developed, it underwent significant changes due to the assimilation of various instruments, with the saxophone being the most prominent. This instrument has become so deeply rooted in the region that, over time, it has become a symbol, both musically and visually. The purpose of this thesis is to investigate the use of the saxophone in the musical practices of typical orchestras in the Mantaro Valley within the context of the Andean celebration. It will analyze how the assimilation of this instrument has produced changes in instrumentation, repertoire, and has generated a particular way of interpretation. Likewise, it will reflect on the saxophone's role in religiosity and in the recreation of a musical identity in typical orchestras, and therefore, in the population of the Mantaro Valley. The methodology used for this work will focus largely on participant observation, with a focus on the musical use of different types of saxophones, repertoire, religiosity, and other topics related to typical orchestras.
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