Bibliographic citations
This is an automatically generated citacion. Modify it if you see fit
Alejo, H., (2017). El Carnaval “Tinkuy” del centro poblado Utao y Tambogán [Universidad Nacional "Daniel Alomía Robles" de Huánuco]. http://hdl.handle.net/20.500.14556/12
Alejo, H., El Carnaval “Tinkuy” del centro poblado Utao y Tambogán []. PE: Universidad Nacional "Daniel Alomía Robles" de Huánuco; 2017. http://hdl.handle.net/20.500.14556/12
@misc{renati/1119857,
title = "El Carnaval “Tinkuy” del centro poblado Utao y Tambogán",
author = "Alejo Murga, Héctor",
publisher = "Universidad Nacional "Daniel Alomía Robles" de Huánuco",
year = "2017"
}
Title: El Carnaval “Tinkuy” del centro poblado Utao y Tambogán
Authors(s): Alejo Murga, Héctor
Advisor(s): Echevarría Ramírez, Félix Hipólito
Keywords: Carnaval; tinkuy; vestimenta; ritual; música
OCDE field: https://purl.org/pe-repo/ocde/ford#6.04.07
Issue Date: 2017
Institution: Universidad Nacional "Daniel Alomía Robles" de Huánuco
Abstract: La presente investigación cualitativa - etnográfica propone describir las
características, vestimenta y ritual del Carnaval “Tinkuy” del centro poblado Utao
y Tambogán, así mismo transcribir y analizar las melodías empleadas para
preservar este patrimonio cultural de la región.
El escenario de estudio fueron los centros poblados de Utao y Tambogán.
Para la recolección de datos se emplearon las técnicas de la observación y
entrevista, contando con la colaboración y apoyo de los pobladores.
Como resultado de este trabajo de investigación hemos recopilado la
vestimenta, ritual y música del Carnaval “Tinkuy” del centro poblado Utao y
Tambogán logrando realizar la transcripción y análisis de las melodías en
partituras musicales apoyadas con el software Finale 2011
En este estudio se llegó a la conclusión de que el Carnaval “Tinkuy” del
centro poblado Utao y Tambogán es una representación de la guerra mediante el
encuentro de mujeres (vestidos de varón) y varones en la plaza central, donde se
realiza el “Tinkuy” (guerra con las naranjas), logrando así representar a dos grupos
de autoridades (Regidor y Escribano). También se logró obtener las melodías
(Llojshimunchina y Qachwuay) que acompañan al Carnaval “Tinkuy”, antes y
durante la celebración.
The present qualitative - ethnographic research proposes to describe the characteristics, dress and ritual of the "Tinkuy" Carnival of the Utao and Tambogán town center, as well as to transcribe and analyze the melodies used to preserve this cultural heritage of the region. The study scenario was the populated centers of Utao and Tambogán. For the collection of data the techniques of observation and interview were used, counting on the collaboration and support of the settlers. As a result of this research work we have collected the clothing, ritual and music of the "Tinkuy" Carnival from the Utao and Tambogán populated center, achieving the transcription and analysis of the melodies in musical scores supported by the software Finale 2011 This study concluded that the "Tinkuy" Carnival of the Utao and Tambogán settlement is a representation of the war through the encounter of women (men's dress) and men in the central square, where the "Tinkuy "(War with oranges), thus managing to represent two groups of authorities (Regidor and Clerk). It was also possible to obtain the melodies (Llojshimunchina and Qachwuay) that accompany the "Tinkuy" Carnival, before and during the celebration.
The present qualitative - ethnographic research proposes to describe the characteristics, dress and ritual of the "Tinkuy" Carnival of the Utao and Tambogán town center, as well as to transcribe and analyze the melodies used to preserve this cultural heritage of the region. The study scenario was the populated centers of Utao and Tambogán. For the collection of data the techniques of observation and interview were used, counting on the collaboration and support of the settlers. As a result of this research work we have collected the clothing, ritual and music of the "Tinkuy" Carnival from the Utao and Tambogán populated center, achieving the transcription and analysis of the melodies in musical scores supported by the software Finale 2011 This study concluded that the "Tinkuy" Carnival of the Utao and Tambogán settlement is a representation of the war through the encounter of women (men's dress) and men in the central square, where the "Tinkuy "(War with oranges), thus managing to represent two groups of authorities (Regidor and Clerk). It was also possible to obtain the melodies (Llojshimunchina and Qachwuay) that accompany the "Tinkuy" Carnival, before and during the celebration.
Link to repository: http://hdl.handle.net/20.500.14556/12
Discipline: Música
Grade or title grantor: Universidad Nacional Daniel Alomía Robles
Grade or title: Licenciado en Docencia Musical y Artes
Juror: Cárdenas Viviano, Roberto Carlos; Sánchez Lozano, Oswaldo; Guerra Huacho, Rolin Max
Register date: 14-Apr-2021
This item is licensed under a Creative Commons License